Print Authentication: Diego Rivera

Bio

Do you own a print by Diego Rivera? Print Appraisers can appraise, research, authenticate and provide certificates of authenticity (COA) for all prints by Diego Rivera.

Bio

Self Portrait. Diego Rivera. 1930. Lithograph. Museum of Fine Arts Boston

Diego Rivera is one of Mexico’s most well known artists. Rivera is best known for his paintings, murals and lithographs.

Bio

El sueno (noche de los pobres) / The Dream (Night of the Poor) 1932. lithograph

As a student at the Academy of San Carlos in Mexico City, Rivera was sponsored to study in Europe, where he became apart of Paris’s epic Montparnasse scene. Rivera befriended legendary artists such as Amedeo Modigliani and Chaim Soutine. Rivera returned to Mexico in 1921 to start a Mexican mural program. Upon his return, Rivera was motivated to create work that reflected the indigenous roots of his country, rather than mimic European painting. He often drew men and women selling flowers in the street and other quotidian scenes. Rivera also became involved in the Communist party and made a number of politically themed works.

Bio

Open Air School. lithograph. 1932

Bio

Nino y perro (child and Dog) lithograph, 1932

While Rivera is best known for his murals, he created a number of lithographs. In 1932, The Weyhe Gallery in New York published a series of Rivera lithographs that highlight social injustice and revolution.

Bio

Zapata. 1932. lithograph

In recent years many galleries have created color, offset lithographs after famous Rivera paintings. These prints are not as valuable as original lithographs, but still hold some collector value.

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Examination Locations - We conduct artwork examinations at a variety of locations for your convenience, including your home, office, bank, attorney's office, art storage facility, or hotel if you’re traveling. We can also arrange examinations at art galleries, auction houses, government agency offices, customs entry points, law enforcement offices or warehouses, places of worship, religious centers, organizational premises, libraries, colleges, museums, conservation studios, or laboratories. For insurance and liability purposes, we do not receive or examine artworks at our own facilities.


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